Tracey Takes On... - Theme Song and Opening Title Sequence

Theme Song and Opening Title Sequence

In season one, viewers would only catch a glimpse of Ullman asleep in a bed, with a voice-over playing, reciting words or phrases related to that week's episode topic. Due to this title sequence, viewers were left virtually unaware that Ullman was playing every character, or for that matter, which characters. For the show's second season, a new title sequence was created, along with a new opening format. In season two, a scripted Ullman would appear in the beginning of each episode, performing a scripted monologue connected to that week's (episode) subject. An opening title sequence featuring Ullman and her cast of characters lipsyncing to her 1983 hit song, They Don't Know would follow. This signaled to viewers that she was indeed playing every character and which ones. Only characters featured in that week's episode sketches would appear in that week's opening lipsyncing title sequence. Season three and four featured Ullman in an impromptu sitdown interview delivering anecdotes related to the episode's subject at the start of the show.

The opening titles of season two featuring They Don't Know, do not appear on the DVD releases (except in the episode "Childhood"). In its place is the season one theme song, with only a black background stating the episode's title, series credits, with no character lipsynching.

Read more about this topic:  Tracey Takes On...

Famous quotes containing the words theme, song, opening, title and/or sequence:

    The theme of my autobiography could only be repetition.
    Mason Cooley (b. 1927)

    The quarrel of the sparrows in the eaves,
    The full round moon and the star-laden sky,
    And the loud song of the ever-singing leaves,
    Had hid away earth’s old and weary cry.
    William Butler Yeats (1865–1939)

    Haven’t you heard, though,
    About the ships where war has found them out
    At sea, about the towns where war has come
    Through opening clouds at night with droning speed
    Further o’erhead than all but stars and angels
    And children in the ships and in the towns?
    Robert Frost (1874–1963)

    Greatness is a light-hearted title for theatrical entertainments. Or a definition endowed on men too long dead to know that it’s been awarded.
    Arthur Ross. Leslie (Tony Curtis)

    Reminiscences, even extensive ones, do not always amount to an autobiography.... For autobiography has to do with time, with sequence and what makes up the continuous flow of life. Here, I am talking of a space, of moments and discontinuities. For even if months and years appear here, it is in the form they have in the moment of recollection. This strange form—it may be called fleeting or eternal—is in neither case the stuff that life is made of.
    Walter Benjamin (1892–1940)