Tony Petrossian - Petrossian's Music Video & Commercial Directing Career

Petrossian's Music Video & Commercial Directing Career

Petrossian signed with Rockhard in 2002. Since then, he has created groundbreaking music videos for many artists. The music video for Kenna's "Freetime," co-directed & edited by Petrossian, garnered MTV VMA nominations for Best Director & Best Editor. Petrossian's Three Days Grace video "Never Too Late" was nominated for Video of the Year at the 2007 Much Music Video Awards. His Slipknot video for "Vermillion" won the Audience Award at the SXSW Film Festival in 2006. And his video for "Before I Forget" won Slipknot their first and only Grammy for "Best Metal Performance." In 2008, Petrossian's music video for Serj Tankian's "Empty Walls" won Rock Video Of The Year at the 17th Annual MVPA Awards. In 2010, Roadrunner Records counted down their top 10 videos of all time and Petrossian's "Duality" music video for Slipknot topped the chart at #1. Petrossian's "Through Glass" music video for Stone Sour followed close behind that at #4. Back in 2005, having found success in music videos, Petrossian began creating innovative TV commercials for some of the world's most well known brands. In 2012, Petrossian signed with Rhythm + Hues for commercials in the US.

Read more about this topic:  Tony Petrossian

Famous quotes containing the words music, video, commercial and/or career:

    Good-by, my book! Like mortal eyes, imagined ones must close some day. Onegin from his knees will rise—but his creator strolls away. And yet the ear cannot right now part with the music and allow the tale to fade; the chords of fate itself continue to vibrate; and no obstruction for the sage exists where I have put The End: the shadows of my world extend beyond the skyline of the page, blue as tomorrow’s morning haze—nor does this terminate the phrase.
    Vladimir Nabokov (1899–1977)

    We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.
    Richard Louv (20th century)

    Electronic aids, particularly domestic computers, will help the inner migration, the opting out of reality. Reality is no longer going to be the stuff out there, but the stuff inside your head. It’s going to be commercial and nasty at the same time.
    —J.G. (James Graham)

    It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.
    Thomas Henry Huxley (1825–95)