Writing
Her first book was, Gorilla, My Love (1972), collected fifteen short stories, written between 1950 and 1960. Most of the stories in Gorilla, My Love are told through a first-person point of view. The narrator is often a sassy young girl who is tough, brave, and caring. Bambara called her writing upbeat fiction. Included were "Blues Ain't No Mockin Bird" as well as "Raymond's Run."
Bambara was active in the 1960s Black Arts movement and the emergence of black feminism. Her anthology The Black Woman (1970) with poetry, short stories, and essays by Nikki Giovanni, Audre Lorde, Alice Walker, Paule Marshall and herself, as well as work by Bambara's students from the SEEK program, was the first feminist collection to focus on African-American women. Tales and Stories for Black Folk (1971) contained work by Langston Hughes, Ernest J. Gaines, Pearl Crayton, Alice Walker and students. She wrote the introduction for another groundbreaking feminist anthology by women of color, This Bridge Called My Back (1981), edited by Gloria Anzaldúa and Cherríe Moraga. While Bambara is often ascribed as a "feminist," in her chapter titled "On the Issue of Roles", she writes, "Perhaps we need to let go of all notions of manhood and femininity and concentrate on Blackhood."
Her novel The Salt Eaters (1980) is centered around a healing event that coincides with a community festival in a fictional city of Claybourne, Georgia. The novel Those Bones Are Not My Child or If Blessings Come (title of the manuscript), was published posthumously in 1999. It deals with the disappearance and murder of forty black children in Atlanta between 1979 and 1981. It was called her masterpiece by Toni Morrison, who edited it and also gathered some of Bambara's short stories, essays, and interviews in the volume Deep Sightings & Rescue Missions: Fiction, Essays & Conversations. (Vintage, 1996).
Her work was explicitly political, concerned with injustice and oppression in general and with the fate of African American communities and grassroots political organizations in particular, esp. The Salt Eaters. Her script for two awards-winning Louis Massiah film The Bombing of Osage Avenue dealt with the massive police assault in Philadelphia on the headquarters of MOVE, at 6221 Osage Ave., on May 13, 1985.
Female protagonists and narrators dominate her writings, which was informed by radical feminism and firmly placed inside African American culture, with its dialect, oral traditions and jazz techniques. She was always influenced by the people of Harlem and by her strong-willed mother, Helen Bent Henderson Cade Brehon, who urged her and her brother Walter (an established painter) to be proud of African American culture and history.
Bambara contributed to PBS's American Experience documentary series with "Midnight Ramble": Oscar Micheaux and the Story of Race Movies. She also was one of four filmmakers who made the collaborative 1995 documentary W.E.B. Du Bois: A Biography in Four Voices.
Read more about this topic: Toni Cade Bambara
Famous quotes containing the word writing:
“...Often the accurate answer to a usage question begins, “It depends.” And what it depends on most often is where you are, who you are, who your listeners or readers are, and what your purpose in speaking or writing is.”
—Kenneth G. Wilson (b. 1923)
“To write weekly, to write daily, to write shortly, to write for busy people catching trains in the morning or for tired people coming home in the evening, is a heartbreaking task for men who know good writing from bad. They do it, but instinctively draw out of harm’s way anything precious that might be damaged by contact with the public, or anything sharp that might irritate its skin.”
—Virginia Woolf (1882–1941)
“There is a difference between dramatizing your sensibility and your personality. The literary works which we think of as classics did the former. Much modern writing does the latter, and so has an affinity with, say, night-club acts in all their shoddy immediacy.”
—Paul Horgan (b. 1904)