Tone Number - in Chinese

In Chinese

In the Chinese tradition, numbers, diacritics, and names are assigned to the historical four tones of Chinese. These are consistent across all Chinese dialects, reflecting the development of tone diachronically. However, it is also common to number the tones of a particular dialect independently of the others. For example, Standard Chinese has four–five tones and the digits 1–5 or 0–4 are assigned to them; Cantonese has 6–9 tones, and the digits from 0 or 1 to 6 or 9 are assigned to them. In this case, Mandarin tone 4 has nothing to do with Cantonese tone 4, as can be seen by comparing the tone charts of Standard Chinese (Mandarin), Cantonese, and Taiwanese Hokkien.

Note: Tone sandhi rules and the unstressed syllable of Mandarin are not listed here for simplicity.

To enhance recognition and learning, color has also been associated with the tones. Although there are no formal standards, the de facto standard has been to use red (tone 1), orange (tone 2), green (tone 3), blue (tone 4) and black (tone 5). This color palette has been implemented in translation tools and online dictionaries

Although such numbers are useless in comparative studies, they are convenient for in-dialect descriptions:

• In Mandarin, the numeral one, originally in tone 1, is pronounced in tone 4 if followed by a classifier in tone 1, 2, or 3. It is pronounced in tone 2 if the classifier has tone 4.
• In Taiwanese tone sandhi, tone 1 is pronounced as tone 7 if followed by another syllable in a polysyllabic word.

Some romanization schemes, like Jyutping, use tone numbers. Even for Pinyin, tone numbers are used instead when diacritics are not available, as in basic ASCII text.

For the numbers of the traditional tone classes, which are consistent between dialects, see four tones (Chinese).