Tom Van Sant is a sculptor, painter, and conceptual artist. In his professional work he has executed over sixty major sculpture and mural commissions for public spaces around the world. These include the international airports of Honolulu, Taipei and Los Angeles, the civic centers of Los Angeles, Newport Beach and Inglewood, and corporate centers in Taiwan, Manila, Salt Lake City, Dallas, Honolulu and San Francisco.
He had a long association with architect William Pereira and his work has adorned over a dozen Pereira buildings. Van Sant has had fifteen one-man exhibits in the United States, Europe and Australia. His art is represented in public and private collections throughout the world.
Van Sants' professional skills and intellectual interests range to architectural design, city planning, art education and advanced technical invention. His large scale conceptual art projects of the 1980s led to the creation of The GeoSphere Project, an ambitious environmental display system designed to illustrate the issues of Earth resource management.
The GeoSphere Image marks a milestone in cartographic history. It is the first satellite map of the Earth, showing the real world it appears from space. The work required one year of effort on the world's most powerful graphics computers by Van Sant, technical director Van Warren of Jet Propulsion Laboratory, and assisted by Jim Knighton and Leo Blume. The image was first published as the title page of the National Geographic World Atlas.
In 1992, Mr. Van Sant created an installation called "the Earth Situation Room", an interactive project which feature visualizations of earth systems and changes. This project was first shown at ECO-92, the Earth Summit, in Rio de Janeiro.
Al Gore cited Mr. Van Sant for this beautiful and useful 3d image of the Earth in the film An Inconvenient Truth.
In the summer of 2007 he participated in the Chicago public art exhibition "Cool Globes: Hot Ideas for a Cooler Planet."
Famous quotes containing the words van sant, tom and/or van:
“No construction stiff working overtime takes more stress and straining than we did just to stay high.”
—Gus Van Sant, U.S. screenwriter and director, and Dan Yost. Bob Hughes (Matt Dillon)
“And the Angel told Tom if he’d be a good boy,
He’d have God for his father & never want joy.
And so Tom awoke and we rose in the dark
And got with our bags & our brushes to work.
Tho’ the morning was cold, Tom was happy & warm,
So if all do their duty, they need not fear harm.”
—William Blake (1757–1827)
“Some have said that the thesis [of indeterminacy] is a consequence of my behaviorism. Some have said that it is a reductio ad absurdum of my behaviorism. I disagree with this second point, but I agree with the first. I hold further that the behaviorism approach is mandatory. In psychology one may or may not be a behaviorist, but in linguistics one has no choice.”
—Willard Van Orman Quine (b. 1908)