Video Game Animation Work
- Sonic The Hedgehog CD (1993) (Opening and closing animation sequences) (co-production with Studio Junio)
- Dragon Ball Z: Ultimate Battle 22 (1995) (Opening sequence and bonus fighter animation sequence)
- Dragon Ball GT: Final Bout (1997) (Opening sequence)
- Chrono Trigger (1999, 2008, 2011) (extra video scenes in PlayStation, Nintendo DS, PlayStation 3, and Wii Virtual Console versions)
- Digimon Rumble Arena (2001) (2-D Elements in opening sequence)
- Dragon Ball Z: Budokai 2 (2003) (Opening sequence)
- Dragon Ball Z: Budokai 3 (2004) (Opening sequence)
- Dragon Ball Z: Ultimate Tenkaichi (2011) (2D animated sequences)
Read more about this topic: Toei Animation
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“It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . today’s children have substituted television viewing and, most recently, video games.”
—Marie Winn (20th century)
“It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . today’s children have substituted television viewing and, most recently, video games.”
—Marie Winn (20th century)
“Wild Bill was indulging in his favorite pastime of a friendly game of cards in the old No. 10 saloon. For the second time in his career, he was sitting with his back to an open door. Jack McCall walked in, shot him through the back of the head, and rushed from the place, only to be captured shortly afterward. Wild Bill’s dead hand held aces and eights, and from that time on this has been known in the West as “the dead man’s hand.””
—State of South Dakota, U.S. public relief program (1935-1943)
“The division between the useful arts and the fine arts must not be understood in too absolute a manner. In the humblest work of the craftsmen, if art is there, there is a concern for beauty, through a kind of indirect repercussion that the requirements of the creativity of the spirit exercise upon the production of an object to serve human needs.”
—Jacques Maritain (1882–1973)