Title Pages in Books
The title page (as distinct from the cover) is one of the most important parts of the "front matter" or "preliminaries" of a book, as the data on it and its verso (together known as the "title leaf") are used to establish the "title proper and usually, though not necessarily, the statement of responsibility and the data relating to publication". This determines the way the book is cited in library catalogs and academic references.
Ideally the title page shows the title of the work, the person or body responsible for its intellectual content, the place of publication, the name of the publisher and the year of publication. Particularly in paperback editions it may contain a shorter title than the cover or lack a descriptive subtitle. Further information about the publication of the book, including its copyright, is frequently printed on the verso of the title page. Also often included there are the ISBN and a printers key, also known as the number line, which indicates the printing status.
The first printed books or incunabula did not have title pages. The text would begin on the first page, and the book would have to be identified by the initial words or incipit.
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Famous quotes containing the words title, pages and/or books:
“Et in Arcadia ego.
[I too am in Arcadia.]”
—Anonymous, Anonymous.
Tomb inscription, appearing in classical paintings by Guercino and Poussin, among others. The words probably mean that even the most ideal earthly lives are mortal. Arcadia, a mountainous region in the central Peloponnese, Greece, was the rustic abode of Pan, depicted in literature and art as a land of innocence and ease, and was the title of Sir Philip Sidney’s pastoral romance (1590)
“There is a difference between a book of two hundred pages from the very beginning, and a book of two hundred pages which is the result of an original eight hundred pages. The six hundred are there. Only you don’t see them.”
—Elie Wiesel (b. 1928)
“When I am dead, I hope it may be said:
‘His sins were scarlet, but his books were read.’”
—Hilaire Belloc (1870–1953)