Film
Key's short film The One and Only Herb McGwyer Plays Wallis Island', which he wrote and performed in with Tom Basden, won Best UK Short at the 2007 Edinburgh Film Festival. It was nominated for a 2008 BAFTA in the category of Best Short Film, but lost to Dog Altogether by Diarmid Scrimshaw, and one of Tim's biggest heroes, Paddy Considine.
Key has made two other short films with Tom Basden, Piano For Beginners in 2004, and The Amazing Hedge Puzzle in 2005, both of which were directed by Alex Winckler and produced by J Van Tulleken.
Key and J Van Tulleken are currently filming some of his poetry, in the form of 1 to 2 minute ostentatiously arty black and white films with the poems narrated over. Rebecca Hall, Kristen Schaal, Tom Basden, and Khalid Abdalla, among others have appeared in these films, alongside Key.
Key will also collaborate with J Van Tulleken on one of 16 short films to have won production funding through BFI Shorts 2012. The film will be a black comedy entitled Anthony, outlined as follows: "Christmas Eve. An enormous explosion tears through Lapland. Santa and his Elf, Anthony, have crash-landed in the middle of nowhere on their busiest night." It is due to be completed in 2013.
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Famous quotes containing the word film:
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (1888–1959)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)