Plot
Sixteenth century Spanish sailors beach their launch on the Manzanita beach. They carry a treasure chest up Neahkahnie Mountain, leading a manacled African slave. The treasure is buried and the slave is killed and laid on top of the ground to "guard" the treasure and frighten away the local Indians.
Julie (Suzanne Marie Doyon), a lonely fourteen-year-old girl, and her family move from California to an Oregon seaside town as a last resort after her father loses his job. Her family has trouble adjusting to their new life and Julie is forgotten and ignored, as the family adjusts to living in uncle Jimmy's (Brian Thompson) seaside home.
Julie has a dramatic mystical encounter with a Roosevelt elk on the beach. The elk's fur has black hand prints on its neck. Its hooves uncover an old Spanish gold coin in the sand. The elk becomes Julie's silent, watchful guide and protector as she becomes drawn to the legend of Tillamook's gold.
She seeks the wisdom and guidance of her grandfather (Max Gail) and his good friend, Standing Elk (Floyd Red Crow Westerman). The men tell Julie the legend of the Spanish treasure and also of an elk, saved from drowning by the slave who, before his death, had grasped the exhausted animal as it swam near the Spanish launch. Julie is confused because 400 years later, she is convinced that "her elk" is the same elk. Julie's desire to solve the treasure mystery becomes a passion that leads to further mystery and self-discovery. When she experiences visions of Indians, she is frightened. When she tells Grandpa and Standing Elk, the elders realize that she is having a magical experience. Grandpa and Standing Elk suspect that Julie has been chosen to find the treasure and to release the spirit of the slave. They watch and guide her on her quest.
Read more about this topic: Tillamook Treasure
Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
““The plot thickens,” he said, as I entered.”
—Sir Arthur Conan Doyle (1859–1930)