Release and Reception
The film premiered on 9 December 1965 in Tokyo and opened on 29 December 1965 in the UK. It was a major success at the box office with record-breaking earnings. Variety reported that Thunderball was the No. 1 money maker of 1966 at the North American box office by a large margin, with a net profit of $26,500,000. The second highest money maker of 1966 was Doctor Zhivago at $15,000,000; in third place was Who's Afraid of Virginia Woolf? at $10,300,000. It eventually grossed $63.6 million in the United States, equating to roughly 58.1 million admissions. In total, the film has earned $141.2 million worldwide, surpassing the earnings of the three preceding films in the series—easily recouping its $9 million budget—and remained the highest-grossing Bond film until Live and Let Die (1973) assumed the record. After adjusting its earnings to 2011 prices, it has made approximately $1 billion, making it the most financially successful Bond film.
Thunderball won an Academy Award for Best Visual Effects awarded to John Stears in 1966. Ken Adam the production director was also nominated for a Best Production Design BAFTA award. The film won the Golden Screen award for Best Film in Germany and won the Golden Laurel Action Drama award at the 1966 Laurel Awards. The film was also nominated for an Edgar Best Foreign Film award at the Edgar Allan Poe Awards.
Read more about this topic: Thunderball (film)
Famous quotes containing the words release and/or reception:
“The steel decks rock with the lightning shock, and shake with the
great recoil,
And the sea grows red with the blood of the dead and reaches for his spoil—
But not till the foe has gone below or turns his prow and runs,
Shall the voice of peace bring sweet release to the men behind the
guns!”
—John Jerome Rooney (1866–1934)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)