Variations
Amateur music composer Thomas Oliphant (1799–1873) noted in 1843 that:
This absurd old round is frequently brought to mind in the present day, from the circumstance of there being an instrumental Quartet by Weiss, through which runs a musical phrase accidentally the same as the notes applied to the word Three Blind Mice. They form a third descending, C, B, A.
Robert Schumann's Kreisleriana #7, which is arguably about a cat (Murr), appears to be based upon "Three Blind Mice", but in a predominantly minor key. "Three Blind Mice" is to be found in the fugue which is the centerpiece of #7.
Joseph Holbrooke (1878–1958) composed his Symphonic Variations, opus 37, based on Three Blind Mice. Also, Joseph Haydn used its theme in the Finale (4th Mvt) of his Symphony 83 (La Poule) (1785–86); one of the 6 Paris Symphonies, and the music also appears in the final movement of English composer Eric Coates' suite The Three Men. "Three Blind Mice" was also used as a theme song for The Three Stooges and a Curtis Fuller arrangement of the rhyme is featured on the Art Blakey live album of the same name. The song is also the basis for Leroy Anderson's orchestral "Fiddle Faddle".
The theme of the second movement of Sergei Rachmaninoff's Piano Concerto No. 4 (1926, revised 1928 and 1941) is partially based on Three Blind Mice.
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Famous quotes containing the word variations:
“I may be able to spot arrowheads on the desert but a refrigerator is a jungle in which I am easily lost. My wife, however, will unerringly point out that the cheese or the leftover roast is hiding right in front of my eyes. Hundreds of such experiences convince me that men and women often inhabit quite different visual worlds. These are differences which cannot be attributed to variations in visual acuity. Man and women simply have learned to use their eyes in very different ways.”
—Edward T. Hall (b. 1914)