Works
Lee has composed over a hundred fifty works: eight symphonies, twelve string quartets, twelve concerti for various solo instruments, choral works, song cycles and scores of chamber music. Some of his early works, originally published by Margun Music Inc., have since been transferred to G. Schirmer Inc./Associated Music Publishers. His 100-minute, two-act chamber opera "The Inman Dairies" is available for rental and sale from the Theodore Presser Company. The rest - orchestral, choral, vocal and chamber music - is self-published under the moniker "Departed Feathers Music." His music has been recorded on Nonesuch, MCA Classics, Koch International Classics, BMG Catalyst, Arsis Audio, Northeastern and Gunther Schuller's GM Recordings, Inc.
His most popular work, "Morango ... Almost A Tango," written for and recorded by the Kronos Quartet, has been used in dance by choreographers like Michael Tracy for Pilobolus (dance company), Jiri Kylian for the Netherlands Dance Theater, Danny Rosseel for the Royal Ballet of Flanders, Nicolo Fonte for the Pacific Northwest Ballet and Australian Ballet, Carolyn Carlson for the Cullberg Ballet of Sweden, Olivia Rosenkrantz for Tapage - a tap duo, et al. Additionally, "Morango ..." was used as a sound track for "Call It Sleep" - a documentary on Henry Roth.
Lee has recently ventured into the world of opera. His two-act chamber opera, "The Inman Diaries," (libretto by Jesse J. Martin) about the infamous Boston diarist Arthur Crew Inman was produced and premiered in Boston in 2007 by Intermezzo - The New England Chamber Opera Series. His on-going opera-in-progress is "Oscar Wilde ... An Opera in Two Acts."
In the summer of 2010, Mr. Lee embarked on a project to add a visual component to his music. The resultant videos can be accessed on his iPhone app: TOLmtv.
Read more about this topic: Thomas Oboe Lee
Famous quotes containing the word works:
“A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.”
—Vladimir Nabokov (1899–1977)
“... no one who has not been an integral part of a slaveholding community, can have any idea of its abominations.... even were slavery no curse to its victims, the exercise of arbitrary power works such fearful ruin upon the hearts of slaveholders, that I should feel impelled to labor and pray for its overthrow with my last energies and latest breath.”
—Angelina Grimké (1805–1879)
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)