Works
Lee has composed over a hundred fifty works: eight symphonies, twelve string quartets, twelve concerti for various solo instruments, choral works, song cycles and scores of chamber music. Some of his early works, originally published by Margun Music Inc., have since been transferred to G. Schirmer Inc./Associated Music Publishers. His 100-minute, two-act chamber opera "The Inman Dairies" is available for rental and sale from the Theodore Presser Company. The rest - orchestral, choral, vocal and chamber music - is self-published under the moniker "Departed Feathers Music." His music has been recorded on Nonesuch, MCA Classics, Koch International Classics, BMG Catalyst, Arsis Audio, Northeastern and Gunther Schuller's GM Recordings, Inc.
His most popular work, "Morango ... Almost A Tango," written for and recorded by the Kronos Quartet, has been used in dance by choreographers like Michael Tracy for Pilobolus (dance company), Jiri Kylian for the Netherlands Dance Theater, Danny Rosseel for the Royal Ballet of Flanders, Nicolo Fonte for the Pacific Northwest Ballet and Australian Ballet, Carolyn Carlson for the Cullberg Ballet of Sweden, Olivia Rosenkrantz for Tapage - a tap duo, et al. Additionally, "Morango ..." was used as a sound track for "Call It Sleep" - a documentary on Henry Roth.
Lee has recently ventured into the world of opera. His two-act chamber opera, "The Inman Diaries," (libretto by Jesse J. Martin) about the infamous Boston diarist Arthur Crew Inman was produced and premiered in Boston in 2007 by Intermezzo - The New England Chamber Opera Series. His on-going opera-in-progress is "Oscar Wilde ... An Opera in Two Acts."
In the summer of 2010, Mr. Lee embarked on a project to add a visual component to his music. The resultant videos can be accessed on his iPhone app: TOLmtv.
Read more about this topic: Thomas Oboe Lee
Famous quotes containing the word works:
“...A shadow now occasionally crossed my simple, sanguine, and life enjoying mind, a notion that I was never really going to accomplish those powerful literary works which would blow a noble trumpet to social generosity and noblesse oblige before the world. What? should I find myself always planning and never achieving ... a richly complicated and yet firmly unified novel?”
—Sarah N. Cleghorn (1876–1959)
“The works of women are symbolical.
We sew, sew, prick our fingers, dull our sight,
Producing what? A pair of slippers, sir,
To put on when you’re weary or a stool
To stumble over and vex you ... “curse that stool!”
Or else at best, a cushion, where you lean
And sleep, and dream of something we are not,
But would be for your sake. Alas, alas!
This hurts most, this ... that, after all, we are paid
The worth of our work, perhaps.”
—Elizabeth Barrett Browning (1806–1861)
“The ancients of the ideal description, instead of trying to turn their impracticable chimeras, as does the modern dreamer, into social and political prodigies, deposited them in great works of art, which still live while states and constitutions have perished, bequeathing to posterity not shameful defects but triumphant successes.”
—Herman Melville (1819–1891)