Early Writings and Introduction To Literary Society
Before long Hood contributed humorous and poetical articles to the provincial newspapers and magazines. As a proof of his literary vocation, he used to write out his poems in printed characters, believing that that process best enabled him to understand his own peculiarities and faults, and probably unaware that Samuel Taylor Coleridge had recommended some such method of criticism when he said he thought "print settles it." On his return to London in 1818 he applied himself to engraving, enabling him later to illustrate his various humours and fancies by quaint devices.
In 1821, John Scott, the editor of the London Magazine, was killed in a duel, and the periodical passed into the hands of some friends of Hood, who proposed to make him sub-editor. His installation into this post at once introduced him to the literary society of the time; and in becoming the associate of John Hamilton Reynolds, Charles Lamb, Henry Cary, Thomas de Quincey, Allan Cunningham, Bryan Procter, Serjeant Talfourd, Hartley Coleridge, the peasant-poet John Clare and other contributors to the magazine, he gradually developed his own powers.
Read more about this topic: Thomas Hood
Famous quotes containing the words early, writings, introduction, literary and/or society:
“He had long before indulged most unfavourable sentiments of our fellow-subjects in America. For, as early as 1769,... he had said of them, “Sir, they are a race of convicts, and ought to be thankful for any thing we allow them short of hanging.””
—Samuel Johnson (1709–1784)
“Accursed who brings to light of day
The writings I have cast away.”
—William Butler Yeats (1865–1939)
“We used chamber-pots a good deal.... My mother ... loved to repeat: “When did the queen reign over China?” This whimsical and harmless scatological pun was my first introduction to the wonderful world of verbal transformations, and also a first perception that a joke need not be funny to give pleasure.”
—Angela Carter (1940–1992)
“Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.”
—Bertolt Brecht (1898–1956)
“... is it not clear that to give to such women as desire it and can devote themselves to literary and scientific pursuits all the advantages enjoyed by men of the same class will lessen essentially the number of thoughtless, idle, vain and frivolous women and thus secure the [sic] society the services of those who now hang as dead weight?”
—Sarah M. Grimke (1792–1873)