Practice
In everyday reality, the practice of thematic interpretation involves theme-based communication by interpretive naturalists, zoo and museum educators, guides, docents, park rangers, and other communicators in natural and cultural settings. Typically interpreters are required to present complex and potentially dry subject matter to non-technical voluntary audiences (often consisting of tourists) in an interesting and engaging way. The thematic approach can involve any method that increases the relevance of an interpreter's theme to an audience, for example, comparisons, analogies and stories that link unfamiliar things to the things an audience already cares about.
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Famous quotes containing the word practice:
“Abused as we abuse it at present, dramatic art is in no sense cathartic; it is merely a form of emotional masturbation.... It is the rarest thing to find a player who has not had his character affected for the worse by the practice of his profession. Nobody can make a habit of self-exhibition, nobody can exploit his personality for the sake of exercising a kind of hypnotic power over others, and remain untouched by the process.”
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“If I had my life over again I should form the habit of nightly composing myself to thoughts of death. I would practise, as it were, the remembrance of death. There is no other practice which so intensifies life. Death, when it approaches, ought not to take one by surprise. It should be part of the full expectancy of life. Without an ever- present sense of death life is insipid. You might as well live on the whites of eggs.”
—Muriel Spark (b. 1918)
“Certainly, young children can begin to practice making letters and numbers and solving problems, but this should be done without workbooks. Young children need to learn initiative, autonomy, industry, and competence before they learn that answers can be right or wrong.”
—David Elkind (20th century)