Thelma Holt - Work With The National Theatre

Work With The National Theatre

In 1985 Thelma Holt joined the National Theatre as Head of Touring and Commercial Exploitation. She was responsible for the following NT West End transfers: "A Chorus of Disapproval", "The Petition", "Brighton Beach Memoirs", "Three Men on a Horse", "A View from the Bridge". She was also responsible for major tours of National Theatre productions to: Paris, Vienna, Zurich, North America, Moscow, Tbilisi, Tokyo, Epidaurus.

Thelma Holt produced INTERNATIONAL 87, a series of four visits to the National Theatre by international theatre companies: "The Hairy Ape" by Eugene O'Neill directed by Peter Stein (production from the Schaubuhne, Berlin), "Miss Julie" by August Strindberg and "Hamlet" by William Shakespeare both directed by Ingmar Bergman (Productions from the Royal Dramatic Theatre, Stockholm), "Macbeth" by William Shakespeare and "Medea" by Euripides both directed by Yukio Ninagawa (the Ninagawa Company from Tokyo), "Tomorrow was War" by the Mayakovsky Theatre Company from Moscow. For this international season Thelma Holt received the Olivier/Observer Award for Outstanding Achievement in the Theatre and a special award from Drama Magazine.

In 1998 she co-produced "The Fairy Queen" by Purcell, directed by Adrian Noble for the Aix-en-Provence Festival.

Thelma Holt produced INTERNATIONAL 89, a second series of four visit to the National Theatre by international theatre companies: "Tango Varsoviano" by Teatro del Sur (Buenos Aires), "The Grapes of Wrath" by the Steppenwolf Theatre Company (Chicago), "Uncle Vanya" by Anton Chekhov from the Moscow Art Theatre, "Suicide for Love" the return of the Ninagawa Theatre Company.

Read more about this topic:  Thelma Holt

Famous quotes containing the words national theatre, work with, work, national and/or theatre:

    I submit all my plays to the National Theatre for rejection. To assure myself I am seeing clearly.
    Howard Barker (b. 1946)

    Success and failure in our own national economy will hang upon the degree to which we are able to work with races and nations whose social order and whose behavior and attitudes are strange to us.
    Ruth Benedict (1887–1948)

    It is not merely the likeness which is precious ... but the association and the sense of nearness involved in the thing ... the fact of the very shadow of the person lying there fixed forever! It is the very sanctification of portraits I think—and it is not at all monstrous in me to say ... that I would rather have such a memorial of one I dearly loved, than the noblest Artist’s work ever produced.
    Elizabeth Barrett Browning (1806–1861)

    America is a nation with no truly national city, no Paris, no Rome, no London, no city which is at once the social center, the political capital, and the financial hub.
    C. Wright Mills (1916–1962)

    The poem of the mind in the act of finding
    What will suffice. It has not always had
    To find: the scene was set; it repeated what
    Was in the script.
    Then the theatre was changed
    To something else. Its past was a souvenir.
    Wallace Stevens (1879–1955)