Repertoire and Sound
Described in the New York Times as 'the king of garage rock', Billy and Thee Headcoats actually grew out of the British punk scene of the 1970s (both Billy and Bruce Brand playing in The Pop Rivets and The Milkshakes). The band recorded songs by The Clash under the pseudonym Thee Stash. The band also recorded a tribute album to Bo Diddley called Bo in Thee Garage. On their debut album, the band recorded new versions of songs written by Son House including "John the Revelator" and "Child's Death Letter," both of which were later covered by The White Stripes upon whom Thee Headcoats were a great influence . These three influences give a good idea of what the band's sound was like; punk mixed with pure rhythmic rock 'n' roll and blues.
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“For good teaching rests neither in accumulating a shelfful of knowledge nor in developing a repertoire of skills. In the end, good teaching lies in a willingness to attend and care for what happens in our students, ourselves, and the space between us. Good teaching is a certain kind of stance, I think. It is a stance of receptivity, of attunement, of listening.”
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Leave me here, and when you want me, sound upon the bugle-horn.”
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