Major Branches of Theatre of The Oppressed
During the development of Theatre of the Oppressed, Boal worked with many populations and tried many techniques. These techniques eventually coalesced into different theatrical styles, each using a different process to achieve a different result. Boal often organized these theatrical systems as a tree, with images, sounds and words as the roots, games, Image Theatre and Forum Theatre ascending up the trunk, and then other techniques represented as limbs stemming from these. As more T.O. systems evolved, Boal and others have made slight modifications to which techniques appear on various limbs, but the Tree of Theatre of the Oppressed has mostly remained consistent:
Read more about this topic: Theatre Of The Oppressed
Famous quotes containing the words major, branches, theatre and/or oppressed:
“The more you stay in this kind of job, the more you realize that a public figure, a major public figure, is a lonely man.”
—Richard M. Nixon (1913–1995)
““I couldn’t afford to learn it,” said the Mock Turtle with a sigh. “I only took the regular course.”
“What was that?” inquired Alice.
“Reeling and Writhing, of course, to begin with,” the Mock Turtle replied; “and then the different branches of Arithmetic—Ambition, Distraction, Uglification, and Derision.”
“I never heard of ‘Uglification,’” Alice ventured to say.”
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)
“Compare ... the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama. Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.”
—John Berger (b. 1926)
“No race has the last word on culture and on civilization. You do not know what the black man is capable of; you do not know what he is thinking and therefore you do not know what the oppressed and suppressed Negro, by virtue of his condition and circumstance, may give to the world as a surprise.”
—Marcus Garvey (1887–1940)