The Wired CD: Ripped. Sampled. Mashed. Shared.
The Wired CD is an album that was released in 2004 as a collaborative effort between Wired magazine, Creative Commons, and sixteen musicians and groups. The Wired CD was distributed inside the front cover of the November 2004 issue of Wired, which also featured a variety of interviews and bios of the performers. Unusually, the songs were released under one of two Creative Commons Licenses, permitting sampling and file-sharing of the songs.
The WIRED CD was the first major compilation of music free to sample and share under Creative Commons' "some rights reserved" copyright. The groundbreaking album features tracks from the Beastie Boys, David Byrne, Zap Mama, My Morning Jacket, Spoon, Gilberto Gil, Dan the Automator, Thievery Corporation, Le Tigre, Paul Westerberg, Fine Arts Militia featuring Chuck D, The Rapture, Cornelius, Danger Mouse & Jemini, DJ Dolores, and Matmos.
In 2005, Creative Commons and Wired Magazine launched The Fine Art of Sampling Contest in which contestants sampled the tracks from The Wired CD to create their own composition. The top winning entries were subsequently compiled onto a CD entitled The Wired CD: Ripped. Sampled. Mashed. Shared.
Read more about The Wired CD: Ripped. Sampled. Mashed. Shared.: Licenses, Songs, The Freestyle Mix Contest, The Militia Mix Contest, See Also
Famous quotes containing the words wired, ripped and/or shared:
“And these poor nerves so wired to the skull
Ache on the lovelorn paper....”
—Dylan Thomas (1914–1953)
“You cannot go into any field or wood, but it will seem as if every stone had been turned, and the bark on every tree ripped up. But, after all, it is much easier to discover than to see when the cover is off. It has been well said that “the attitude of inspection is prone.” Wisdom does not inspect, but behold.”
—Henry David Thoreau (1817–1862)
“[The pleasures of writing] correspond exactly to the pleasures of reading, the bliss, the felicity of a phrase is shared by writer and reader: by the satisfied writer and the grateful reader, or—which is the same thing—by the artist grateful to the unknown force in his mind that has suggested a combination of images and by the artistic reader whom his combination satisfies.”
—Vladimir Nabokov (1899–1977)