The Well Wrought Urn: Studies in The Structure of Poetry - "The Heresy of Paraphrase"

"The Heresy of Paraphrase"

In his summary chapter, Brooks articulates his position that it is "heresy" to paraphrase a poem when trying to get at its meaning. Poems are not simply "messages" expressed in flowery language. The language is crucial in determining the message; form is content. Thus to try to abstract the meaning of a poem from the language in which that meaning is rooted, the paradoxical language of metaphor, is to disregard the internal structure of the poem that gives it its meaning. The temptation to think of poetry as prose draped in poetic language is strong simply because both are composed with words and differ only in that poetry has meter and rhyme. But Brooks instead wants us to see poetry as like music, a ballet, or a play:

The structure of a poem resembles that of a ballet or musical composition. It is a pattern of resolutions and balances and harmonizations, developed through a temporal scheme...most of us are less inclined to force the concept of 'statement' on drama than on a lyric poem; for the very nature of drama is that of something 'acted out'—something which arrives at its conclusion through conflict—something which builds conflict into its very being.

The poem is a "working out of the various tensions—set up by whatever means-by propositions, metaphors, symbols." It achieves a resolution through this working out of tensions, not necessarily a logical resolution but a satisfactory unification of different "attitudes," or dispositions towards experience. Therefore, any intellectual proposition within the poem must be viewed in the context of all the other propositions expressed in the highly changeable language of metaphor. The poem does not try to find the truth-value of a particular idea; it tries to juxtapose many, contradictory ideas together and reach a sort of resolution. The poet is trying to "unify experience" by making poetry not a statement about experience but an experience itself, with all the contradictory elements contained in one cultural expression, i.e., the poem.

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