Reception
The Wages of Fear was critically hailed upon its original release. Bosley Crowther of The New York Times wrote "The excitement derives entirely from the awareness of nitroglycerine and the gingerly, breathless handling of it. You sit there waiting for the theatre to explode." The film was also a hit with the public gaining 6,944,306 Admissions in France where it was the 4th highest earning film of the year.
In 1982, Pauline Kael called it "the most original and shocking French melodrama of the 50s." In 1992, Roger Ebert stated that "The film's extended suspense sequences deserve a place among the great stretches of cinema." In 2010, the film was ranked #9 in Empire magazines "The 100 Best Films Of World Cinema."
Due to the negative portrayal of the American oil company SOC, the film was accused of anti-Americanism and several scenes were cut for the U.S. release.
Read more about this topic: The Wages Of Fear
Famous quotes containing the word reception:
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)