Performance and Publication
The play was licensed for performance on 6 October 1620; the license refers to a "reforming" of the play, which has been taken to indicate an element of censorship. The work was reportedly staged at the Red Bull Theatre.
The play was popular, and was revived during the Restoration era, in 1661 and 1668, when it was seen by Samuel Pepys. John Dryden was influenced by the Dekker/Massinger play in writing his Tyrannick Love, or The Royal Martyr (1669).
The Virgin Martyr was published in quarto in 1622, with subsequent quarto editions in 1631, 1651, and 1661. The 1661 quarto, a reprint of the 1651 text, was "the only play by Massinger to be printed without alteration during the Restoration period."
Read more about this topic: The Virgin Martyr
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“What avails it that you are a Christian, if you are not purer than the heathen, if you deny yourself no more, if you are not more religious? I know of many systems of religion esteemed heathenish whose precepts fill the reader with shame, and provoke him to new endeavors, though it be to the performance of rites merely.”
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