Production
This was the film that "built the house of Troma," and was Troma's first horror film. Previously the production company focused on sex comedies such as Cry Uncle! and Squeeze Play!. Subsequently, Troma focused almost exclusively on horror films.
In 1975, Lloyd Kaufman had the idea to shoot a horror film involving a health club while serving as the pre-production supervisor on the set of Rocky. At the Cannes Film Festival, Kaufman had read an article that said horror films were no longer popular, so Kaufman claims that he decided to produce his own version of the horror film. The film's final outcome was less a bona fide horror film and more of a campy superhero-spoof with extreme violence embedded throughout. The setting of the movie in a health club and the movie was given a working title of Health Club Horror. Kaufman wrote the script with the help of writer Joe Ritter.
Several cut scenes are viewable on the film's Director's Cut DVD. Some of these scenes involve Bozo and his gang at the Health Club, Melvin (as the Monster) and his growing relationship with Sarah, conversations between Belgoody and his henchmen, and the real cause of Wanda and Julie's demise (neither were killed).
Read more about this topic: The Toxic Avenger (film)
Famous quotes containing the word production:
“... this dream that men shall cease to waste strength in competition and shall come to pool their powers of production is coming to pass all over the earth.”
—Jane Addams (1860–1935)
“The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.”
—Albert Camus (1913–1960)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)