The Time Traveler's Wife - Composition and Publication

Composition and Publication

Niffenegger is an artist who teaches at the Center for Book and Paper Arts at Columbia College Chicago, where she painstakingly prepares editions of handpainted books. She produced some of her earlier works in editions of ten copies, which were sold in art galleries. However, she decided that The Time Traveler's Wife would have to be a novel: "I got the idea for the title, and when I draw I have this big drawing table covered with brown paper, and I write ideas down on the paper. So I wrote down this title and after a while I started to think about it. I couldn't think of a way to make it a picture book because still pictures don't represent time very well, so I decided to write a novel." She was intrigued by the title because "it immediately defined two people and their relationship to each other". Niffenegger said that its source was an epigraph to J. B. Priestley's 1964 novel Man and Time: "Clock time is our bank manager, tax collector, police inspector; this inner time is our wife." Drawing her central theme from this image, she says, "Henry is not only married to Clare; he's also married to time." Other authors whom Niffenegger has cited as influencing the book include Richard Powers, David Foster Wallace, Henry James, and Dorothy Sayers.

She has said the story is a metaphor for her own failed love affairs and that "I had kind of got the idea that there's not going to be some fabulous perfect soulmate out there for me, so I'll just make him up." She also drew on her parents' marriage for inspiration—her father spent the bulk of each week traveling. Despite the story's analogies to her own life, Niffenegger has forcefully stated that Clare is not a self-portrait; "She's radically different. I am much more willful and headstrong. ... I don't think I could go through a lifetime waiting for someone to appear, no matter how fascinating he was."

Niffenegger began writing the novel in 1997; the last scene, in which an aged Clare is waiting for Henry, was written first, because it is the story's focal point. The narrative was originally structured thematically. Responding to comments from readers of early drafts of the manuscript, Niffenegger reorganized the narrative so that it largely followed Clare's timeline. The work was finished in 2001. With no history of commercial publication, Niffenegger had trouble finding interested literary agents—25 rejected the manuscript. In 2002, she sent it unsolicited to the small, San Francisco–based publisher MacAdam/Cage, where it reached Anika Streitfeld. Streitfeld, who became Niffenegger's editor, "thought it was incredible. Right from the very beginning you feel like you are in capable hands, that this is someone who has a story to tell and who knows how to tell it." She gave it to David Poindexter, the founder of the publishing firm, "who read it overnight and decided to buy the book". However, Niffenegger had acquired an agent by this time, and several publishing houses in New York City were interested in the novel. The manuscript was put up for auction and MacAdam/Cage bid US$100,000, by far the largest sum it had ever offered for a book. Although another publisher outbid them, Niffenegger selected MacAdam/Cage because they were so dedicated to her work. Also, Niffenegger explains that her "own natural inclination is to go small. My background is in punk music—I'd always pick the indie company over the giant corporation."