The Film
Ali was angered over his loss to Jim Jeffries in the fantasy fights and sued Woroner for $1 million for defamation of character. The lawsuit was settled when Woroner offered to pay Ali $10,000 to participate in a filmed version of his radio fantasy fights in which Ali would fight Marciano. Ali, who had been stripped of his heavyweight title and American boxing license three years prior, agreed on the condition that he would also receive a cut of the film's profits. Marciano also agreed to participate with a similar deal. The same formulas were used again and entered into the NCR 315. In 1969, filming began in a Miami studio.
Marciano, whose last fight before retiring was 14 years prior, lost over 50 pounds and wore a toupee in order to look as he did in his prime. Even for a "fake" fight, Marciano and Ali really looked forward to meeting each other and getting back in the ring.
The two fighters sparred for about 70 to 75 rounds, which were later spliced together according to the findings of the computer. The final outcome would not be revealed to anyone until the release of the film. Braddock, Louis, Schmeling, Sharkey and Walcott also recorded commentary to be used in the film. Marciano died in a plane crash three weeks after filming wrapped.
On January 20, 1970, the fight was shown only once in 1500 theaters over closed-circuit television in the United States, Canada, and throughout Europe. It grossed $5 million. The computer had determined that Marciano would knock Ali out in the 13th round and the film was edited to present that outcome. All prints of the fight except one were supposed to be immediately destroyed. However, many theaters played the show long after January 20.
Read more about this topic: The Super Fight
Famous quotes containing the word film:
“You should look straight at a film; that’s the only way to see one. Film is not the art of scholars but of illiterates.”
—Werner Herzog (b. 1942)
“Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.”
—Don Delillo (b. 1926)