History
After viewing The Trapp Family, a 1956 West German film about the von Trapp family, and its 1958 sequel, The Trapp Family in America (Die Trapp-Familie in Amerika), stage director Vincent J. Donehue thought that the project would be perfect for his friend Mary Martin; Broadway producers Leland Hayward and Richard Halliday (Martin's husband) agreed. The producers originally envisioned a non-musical play that would be written by Lindsay and Crouse and that would feature songs from the repertoire of the Trapp Family Singers. Then they decided to add an original song or two, perhaps by Rodgers and Hammerstein. But it was soon agreed that the project should feature all new songs and be a musical rather than a play.
Details of the history of the von Trapp family were altered for the musical. The real Georg Ludwig von Trapp did live with his family in a villa in Aigen, a suburb of Salzburg, and Maria von Trapp had been sent to be a tutor to one of the children. Lindsey and Crouse altered the story so that Maria was governess to all of them. The names and ages of the children were also altered. The von Trapps spent some years in Austria after Maria and the Captain married and, when they left Austria after the Anschluss, they went by train to Italy and then traveled to London and the United States. To make the story more dramatic, Lindsey and Crouse had the family, soon after Maria and the Captain's wedding, escape over the mountains to Switzerland on foot.
Read more about this topic: The Sound Of Music
Famous quotes containing the word history:
“I believe that history has shape, order, and meaning; that exceptional men, as much as economic forces, produce change; and that passé abstractions like beauty, nobility, and greatness have a shifting but continuing validity.”
—Camille Paglia (b. 1947)
“History is the present. That’s why every generation writes it anew. But what most people think of as history is its end product, myth.”
—E.L. (Edgar Lawrence)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)