The Sorrows of Young Werther - Effect On Goethe

Effect On Goethe

Werther was one of Goethe's few works in the Sturm und Drang movement, before he, with Friedrich von Schiller, began the Weimar Classicism movement.

Goethe distanced himself from The Sorrows of Young Werther in his later years. He regretted his fame and making his youthful love of Charlotte Buff public knowledge. He wrote Werther at the age of twenty-four, and yet most of his visitors in his old age knew him only from this work, despite his many others. He even denounced the Romantic movement by calling it "everything that is sick."

Goethe described his distaste for the book, writing that even if Werther had been a brother he had killed, he could not have been more haunted by the vengeful ghost. Nevertheless, Goethe acknowledged the great personal and emotional impact that The Sorrows of Young Werther could exert on those forlorn young lovers who discovered it. In 1821, he commented to his secretary, "It must be bad, if not everybody was to have a time in his life, when he felt as though Werther had been written exclusively for him."

Read more about this topic:  The Sorrows Of Young Werther

Famous quotes containing the words effect on, effect and/or goethe:

    Living more lives than one, knowing people of all classes, all shades of opinion, monarchists, republicans, socialists, anarchists, has had a salutary effect on my mind. If every year of my life, every month of the year, I had lived with reformers and crusaders I should be, by this time, a fanatic. As it is I have had such varied things to do, I have had so many different contacts that I am not even very much of a crank.
    Rheta Childe Dorr (1866–1948)

    The effect of liberty to individuals is that they may do what they please: we ought to see what it will please them to do, before we risk congratulations.
    Edmund Burke (1729–1797)

    The true, prescriptive artist strives after artistic truth; the lawless artist, who follows blind instinct, strives to duplicate the reality of nature. The first one elevates art to its highest peak; the second one lowers it to its basest level.
    —Johann Wolfgang Von Goethe (1749–1832)