The Slim Shady EP is a debut extended play by American rapper Eminem, released in 1997 through the Detroit-based record label Web Entertainment. Unlike Infinite, The Slim Shady EP helped Eminem garner significant underground attention and eventually garnered the interest of famous West Coast hip-hop producer Dr. Dre, who subsequently signed Eminem to his Aftermath label, and executive-produced his breakthrough major-label debut The Slim Shady LP.
Eminem first introduced his "Slim Shady" persona on this EP, and his lyrics are a marked departure from those found on Infinite, featuring constant references to drug use, sexual acts, mental instability, and over-the-top violence. Another departure was his exploration of more serious themes of dealing with poverty, his direct and self-deprecating response to criticism, and of marital and family difficulties. His flow is also noticeably different than on Infinite; whereas critics claimed he sounded too much like Nas and AZ on that album. Eminem also began utilizing story telling on this EP. The production value of the music on the tracks — from previous collaborators DJ Head, The Bass Brothers, and Mr. Porter — was also noticeably higher than on prior album efforts. According to Billboard, at this point in his life Eminem had "realized his musical ambitions were the only way to escape his unhappy life".
Read more about The Slim Shady EP: Background and Production, Artwork, Reception, Track Listing
Famous quotes containing the words slim and/or shady:
“The pickings are pretty slim when you have to play the part of a housewife who doesn’t go out of her apartment because she’s afraid she’s going to get mugged, or a woman who turns into her brother, who is a murderer.”
—Shirley MacLaine (b. 1934)
“The sacrifice to Legba was completed; the Master of the Crossroads had taken the loas’ mysterious routes back to his native Guinea.
Meanwhile, the feast continued. The peasants were forgetting their misery: dance and alcohol numbed them, carrying away their shipwrecked conscience in the unreal and shady regions where the savage madness of the African gods lay waiting.”
—Jacques Roumain (1907–1945)