The Scar of Shame - Introduction

Introduction

The Scar of Shame was a black silent melodrama with black actors written for a predominately black Audience. Melodramas were the genre of choice for early 20th century black filmmakers. This film emerged during a time of great breakthroughs in not only African American film but all art with the Harlem Renaissance when “a new sense of black consciousness emerged” likely after witnessing the bravery of African American soldiers in World War I. This was a collaboration of a “black cast, white crew and interracial production team” produced by the conspicuously named “Colored Players” who were mostly white, in 1927. The Scar of Shame was one of the only three films produced by this company which was founded in 1926 in Philadelphia by a generous investment.

In Jane Gaine’s article on Skin Color and Caste in Black Melodrama,” she claims that the film mostly takes its substance from D.W. Griffith’s films: Intolerance (1916) and Broken Blossoms (1919). There are undeniable similarities between the films with scenes such as Spike beating Louise matching up remarkably with paternal beatings of the character Lucy in Broken Blossoms and so forth.

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