History
The Royal Dublin Golf Club was instituted at a meeting held at No. 19 Grafton Street in May 1885, pioneered by a Scottish banker - John Lumsden. Originally called Dublin Golf Club, (it received its Royal designation in 1891 - when there were 250 members paying £2 annual subscription - the entrance fee was 8 guineas), it was located near the Magazine Fort in the Phoenix Park. After a year the Club moved to Sutton and finally in 1889 moved to its present home here on the Bull Island (the name is derived from the locality, Clontarf, which in Gaelic is Cluain Tairbh meaning the Bull's Meadow).
Captain William Bligh of 'Mutiny on the Bounty' fame was, in the early 19th century, one of those invited to solve the long standing problems of providing shipping with a safe, straight and deep approach into Dublin. As a result, it was decided to build a sea wall three kilometres out from the shore. The resulting sand bank, Bull Island, still continues to grow. The timber bridge was built in the autumn of 1819 and the Great North Wall, more popularly known as the Bull Wall, was completed by 1823.
The club owns the entire links, covering 65 hectares.
During the First World War, the course was taken over by the military and used as a rifle and artillery range. After the War, the clubhouse was in a very dilapidated condition and the course devastated. With £10,000 compensation, the clubhouse was re-constructed and the links re-designed by H.S. (Harry) Colt, the world famous golf course architect from Sunningdale, in 1920.
On the night of August 2, 1943 the Clubhouse was totally destroyed by fire. Because of delays in finalising development plans for the entire island, it was not until ten years later that the new Clubhouse opened (2 October 1954).
Major extensions were carried out in 1962, 1983, 1993 and 2007. The most recent programme involved extensive redesign and upgrading of the interior of the Clubhouse.
Read more about this topic: The Royal Dublin Golf Club
Famous quotes containing the word history:
“I believe that in the history of art and of thought there has always been at every living moment of culture a “will to renewal.” This is not the prerogative of the last decade only. All history is nothing but a succession of “crises”Mof rupture, repudiation and resistance.... When there is no “crisis,” there is stagnation, petrification and death. All thought, all art is aggressive.”
—Eugène Ionesco (b. 1912)
“Universal history is the history of a few metaphors.”
—Jorge Luis Borges (1899–1986)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)