The River (1997 Film) - Production

Production

The family configuration in this film also appeared in director Tsai Ming-liang's previous film, Rebels of the Neon God, and would appear again in What Time Is It There?, with the same three actors. Tsai decided to incorporate neck pain into The River when his star actor, Lee Kang-sheng, had a similar neck problem for nine months prior to shooting Tsai's Vive L'Amour. After Vive L'Amour was completed, they immediately began work on The River.

According to Tsai, he had a difficult time convincing actor Miao Tien (who plays the father) to appear in the film. Miao was reluctant because his character was homosexual. However, he eventually agreed to take the part and ended up doing some research for it by visiting gay bars and saunas.

The film was first released in 1997 and opened in the United States in 2001.

Read more about this topic:  The River (1997 Film)

Famous quotes containing the word production:

    From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.
    Charles Darwin (1809–1882)

    The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.
    Debbie Taylor (20th century)

    ... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.
    Emma Goldman (1869–1940)