The Return of the Son of Monster Magnet is a Frank Zappa composition, performed by the Mothers of Invention, released on the Mothers' debut album, Freak Out!. It is the longest song on the album, at 12:17, consisting of 2 parts: "Ritual Dance Of The Child-Killer," and "Nullis Pretii (No Commercial Potential)." The composition includes a musical quote from "Louie Louie" (Richard Berry). The Monster Magnet, which almost certainly inspired the song's title, was a toy magnet in the shape of a monster, then being heavily advertised on television.
According to Zappa himself, the Freak Out! version of this song is merely a rhythm track and was never finished as intended. Apparently for budgetary reasons, Verve executives curtailed further recording of the track even after shelling out $12,000 for rented percussion. Indeed, the subtitle of the track is "an Unfinished Ballet in two Tableaux." Strangely, though, unlike many of his extended works, Zappa never augmented or completed this piece when he had the time, money and his own recording studio.
Dr John (Mac Rebennack) appears on piano. Van Dyke Parks was also present at the recording session, but it is unclear what, if anything, played by him was used for the released version.
According to Beatles author and Zappa biographer Barry Miles, the unreleased Beatles experimental track "Carnival of Light" which was recorded in January 1967 resembles "The Return of The Son of Monster Magnet," although it is believed that "Carnival of Light" is more fragmented and abstract than Zappa's effort the previous year.
Read more about The Return Of The Son Of Monster Magnet: Suzy Creamcheese
Famous quotes containing the words return, son, monster and/or magnet:
“The house waited on your private beach
each day,
when you had the time to return to her.
And you so often had the time,
even when fury blew out her chimney,
even when love lifted the shingles....”
—Anne Sexton (1928–1974)
“Gargantua, at the age of four hundred four score and forty- four years begat his son Pantagruel, from his wife, named Badebec, daughter of the King of the Amaurotes in Utopia, who died in child-birth: because he was marvelously huge and so heavy that he could not come to light without suffocating his mother.”
—François Rabelais (1494–1553)
“This monster of a land, this mightiest of nations, this spawn of the future, turns out to be the macrocosm of microcosm me.”
—John Steinbeck (1902–1968)
“While this magnetic,
Peripatetic
Lover he lived to learn,
By no endeavor
Can a magnet ever
Attract a Silver Churn!”
—Sir William Schwenck Gilbert (1836–1911)