The Return of the Son of Monster Magnet is a Frank Zappa composition, performed by the Mothers of Invention, released on the Mothers' debut album, Freak Out!. It is the longest song on the album, at 12:17, consisting of 2 parts: "Ritual Dance Of The Child-Killer," and "Nullis Pretii (No Commercial Potential)." The composition includes a musical quote from "Louie Louie" (Richard Berry). The Monster Magnet, which almost certainly inspired the song's title, was a toy magnet in the shape of a monster, then being heavily advertised on television.
According to Zappa himself, the Freak Out! version of this song is merely a rhythm track and was never finished as intended. Apparently for budgetary reasons, Verve executives curtailed further recording of the track even after shelling out $12,000 for rented percussion. Indeed, the subtitle of the track is "an Unfinished Ballet in two Tableaux." Strangely, though, unlike many of his extended works, Zappa never augmented or completed this piece when he had the time, money and his own recording studio.
Dr John (Mac Rebennack) appears on piano. Van Dyke Parks was also present at the recording session, but it is unclear what, if anything, played by him was used for the released version.
According to Beatles author and Zappa biographer Barry Miles, the unreleased Beatles experimental track "Carnival of Light" which was recorded in January 1967 resembles "The Return of The Son of Monster Magnet," although it is believed that "Carnival of Light" is more fragmented and abstract than Zappa's effort the previous year.
Read more about The Return Of The Son Of Monster Magnet: Suzy Creamcheese
Famous quotes containing the words return, son, monster and/or magnet:
“At twelve, the disintegration of afternoon
Began, the return to phantomerei, if not
To phantoms. Till then, it had been the other way:
One imagined the violet trees but the trees stood green,
At twelve, as green as ever they would be.
The sky was blue beyond the vaultiest phrase.”
—Wallace Stevens (1879–1955)
“I believe that what so saddens the reformer is not his sympathy with his fellows in distress, but, though he be the holiest son of God, is his private ail. Let this be righted, let the spring come to him, the morning rise over his couch, and he will forsake his generous companions without apology.”
—Henry David Thoreau (1817–1862)
“By heaven, he echoes me,
As if there were some monster in his thought
Too hideous to be shown.”
—William Shakespeare (1564–1616)
“While this magnetic,
Peripatetic
Lover he lived to learn,
By no endeavor
Can a magnet ever
Attract a Silver Churn!”
—Sir William Schwenck Gilbert (1836–1911)