The Return of The Son of Monster Magnet

The Return of the Son of Monster Magnet is a Frank Zappa composition, performed by the Mothers of Invention, released on the Mothers' debut album, Freak Out!. It is the longest song on the album, at 12:17, consisting of 2 parts: "Ritual Dance Of The Child-Killer," and "Nullis Pretii (No Commercial Potential)." The composition includes a musical quote from "Louie Louie" (Richard Berry). The Monster Magnet, which almost certainly inspired the song's title, was a toy magnet in the shape of a monster, then being heavily advertised on television.

According to Zappa himself, the Freak Out! version of this song is merely a rhythm track and was never finished as intended. Apparently for budgetary reasons, Verve executives curtailed further recording of the track even after shelling out $12,000 for rented percussion. Indeed, the subtitle of the track is "an Unfinished Ballet in two Tableaux." Strangely, though, unlike many of his extended works, Zappa never augmented or completed this piece when he had the time, money and his own recording studio.

Dr John (Mac Rebennack) appears on piano. Van Dyke Parks was also present at the recording session, but it is unclear what, if anything, played by him was used for the released version.

According to Beatles author and Zappa biographer Barry Miles, the unreleased Beatles experimental track "Carnival of Light" which was recorded in January 1967 resembles "The Return of The Son of Monster Magnet," although it is believed that "Carnival of Light" is more fragmented and abstract than Zappa's effort the previous year.

Read more about The Return Of The Son Of Monster Magnet:  Suzy Creamcheese

Famous quotes containing the words return, son, monster and/or magnet:

    Each work of art excludes the world, concentrates attention on itself. For the time it is the only thing worth doing—to do just that; be it a sonnet, a statue, a landscape, an outline head of Caesar, or an oration. Presently we return to the sight of another that globes itself into a whole as did the first, for example, a beautiful garden; and nothing seems worth doing in life but laying out a garden.
    Ralph Waldo Emerson (1803–1882)

    Vigil strange I kept on the field one night;
    When you my son and my comrade dropt at my side that day,
    One look I but gave which your dear eyes return’d with a look I
    shall never forget,
    One touch of your hand to mine O boy, reach’d up as you lay on the ground,
    Walt Whitman (1819–1892)

    Time hath, my lord, a wallet at his back,
    Wherein he puts alms for oblivion,
    A great-sized monster of ingratitudes:
    Those scraps are good deeds past, which are devoured
    As fast as they are made, forgot as soon
    As done.
    William Shakespeare (1564–1616)

    While this magnetic,
    Peripatetic
    Lover he lived to learn,
    By no endeavor
    Can a magnet ever
    Attract a Silver Churn!
    Sir William Schwenck Gilbert (1836–1911)