Description
It was founded in 1995 by Lisa Goldman as a voluntary organization and became regularly funded by Arts Council England in 2002. It then achieved charity status in 2006 (charity number 1110724). The Red Room believes theater should be a truly public art form.
In August 2006, Topher Campbell succeeded Lisa Goldman as the Artistic Director. An innovative, visionary director with widespread experience in theater, film, television and radio, Topher has worked with venues such as the West Yorkshire Playhouse, Gate Theatre, Young Vic, BBC, Channel 4, the British Film Institute London Lesbian and Gay Film Festival and is co-founder of rukus! Federation Ltd. rukus! Federation Ltd is the UK's award winning Black Lesbian and Gay arts company.
For over ten years, the Red Room has had a track record of award-winning productions and has been a radical voice of new theatre and film in London. It creates groundbreaking collaborations between writers, artists and communities to provoke and influence wider social debate.
In addition to its productions, the Red Room has involved itself in the past in debates and activism around culture and politics, such as Going Public (2003), a debate at the Tricycle Theatre about theater as a public art form, with contributions from the RSC, Cardboard Citizens and Outside Edge. The Red Room also initiated the network Artists Against the War (2003), exhibiting art work and supporting anti-war artists with events including Palestine Verbatim in Trafalgar Square and Shock and Awe cabaret.
Read more about this topic: The Red Room Theatre Company
Famous quotes containing the word description:
“I fancy it must be the quantity of animal food eaten by the English which renders their character insusceptible of civilisation. I suspect it is in their kitchens and not in their churches that their reformation must be worked, and that Missionaries of that description from [France] would avail more than those who should endeavor to tame them by precepts of religion or philosophy.”
—Thomas Jefferson (1743–1826)
“Why does philosophy use concepts and why does faith use symbols if both try to express the same ultimate? The answer, of course, is that the relation to the ultimate is not the same in each case. The philosophical relation is in principle a detached description of the basic structure in which the ultimate manifests itself. The relation of faith is in principle an involved expression of concern about the meaning of the ultimate for the faithful.”
—Paul Tillich (1886–1965)
“He hath achieved a maid
That paragons description and wild fame;
One that excels the quirks of blazoning pens.”
—William Shakespeare (1564–1616)