Recording and Performance
The Real Ambassadors | |
---|---|
Soundtrack album | |
Released | 1962 (1962) |
Recorded | September, December 1961 30th Street Studio, New York City |
Genre | Jazz |
Label | Columbia |
Producer | Teo Macero |
The musical’s soundtrack album was recorded in September and December of 1961 in the Columbia Records recording studio on 30th Street in New York City, and was released the following year. It was produced by Teo Macero. Performers included Dave Brubeck and his band (including bassist Gene Wright and drummer Joe Morello, but not including saxophonist Paul Desmond); Louis Armstrong and his band (including trombonist Trummy Young and pianist Billy Kyle); vocalese group Lambert, Hendricks & Ross; and vocalist Carmen McRae. Its most recent release was on compact disc on June 14, 1994 by Sony’s Legacy label.
The musical was performed in a cut down version of ten tunes with Iola Brubeck narrating live at the Monterey Jazz Festival in 1962 by Brubeck and his band; Armstrong and his band; Lambert, Hendricks & Bavan; and Carmen McRae. Television cameras, though present, did not capture the performance, and it has not been performed since. Connecticut jazz vocalist Dianne Mower has been making efforts to bring about a Broadway revival of the show. A slide/vocal clip of Louis Armstrong singing the title tune at Monterey can be found here
Read more about this topic: The Real Ambassadors
Famous quotes containing the words recording and/or performance:
“Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.”
—Jane Heap (c. 18801964)
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)