The Private Life of Don Juan

The Private Life of Don Juan is a 1934 British historical comedy-drama film directed by Alexander Korda and starring Douglas Fairbanks, Merle Oberon and Benita Hume. It was Fairbanks' final film role. The film is about the life of the aging Don Juan, based on the 1920 play L'homme à la Rose by Henry Bataille. It was made by Korda's London Film Productions at Elstree Studios and distributed by United Artists under an agreement Korda had recently signed with them.

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    Rather would I have the love songs of romantic ages, rather Don Juan and Madame Venus, rather an elopement by ladder and rope on a moonlight night, followed by the father’s curse, mother’s moans, and the moral comments of neighbors, than correctness and propriety measured by yardsticks.
    Emma Goldman (1869–1940)

    In all private quarrels the duller nature is triumphant by reason of dullness.
    George Eliot [Mary Ann (or Marian)

    Jupiter, not wanting man’s life to be wholly gloomy and grim, has bestowed far more passion than reason—you could reckon the ration as twenty-four to one. Moreover, he confined reason to a cramped corner of the head and left all the rest of the body to the passions.
    Desiderius Erasmus (c. 1466–1536)

    Don here-and-there, Don epileptic;
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    Hilaire Belloc (1870–1953)

    Is that the Craig Jurgesen that Teddy Roosevelt gave you?... And you used it at San Juan Hill defending liberty. Now you want to destroy it.
    Laurence Stallings (1894–1968)