Production
The film was produced by Whitney Houston and Debra Martin Chase and directed by Garry Marshall. Anne Hathaway was hired for the role of Mia because Garry Marshall's granddaughters saw her audition tape and said she had the best "princess hair."
Héctor Elizondo, who appears in all the films which Marshall directs, plays Joe, the head of Genovian security. Garry Marshall's daughter, Kathleen, plays Clarisse's secretary Charlotte Kutaway. Charlotte's surname is mentioned only in the credits, and Garry Marshall says it is a reference to how she is often used in cutaway shots. In one scene, Robert Schwartzman's real-life group Rooney makes a cameo playing a garage band named Flypaper, whose lead singer is Michael, played by Schwartzman.
The book was set in New York City, but the film's location was changed to San Francisco. West coast radio personalities Mark & Brian appear as themselves.
The Cable car tourist was portrayed by Kathy Garver.
According to Hathaway, the first choice for the role of Mia Thermopolis was Liv Tyler, but the studio preferred to cast unfamiliar faces.
Read more about this topic: The Princess Diaries (film)
Famous quotes containing the word production:
“By bourgeoisie is meant the class of modern capitalists, owners of the means of social production and employers of wage labor. By proletariat, the class of modern wage laborers who, having no means of production of their own, are reduced to selling their labor power in order to live.”
—Friedrich Engels (1820–1895)
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)