Critical Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| BBC Collective | (7/10) |
| Calgary Sun | |
| Drowned in Sound | (8/10) |
| Entertainment Weekly | A− |
| The Guardian | |
| The Observer | |
| Piero Scaruffi | (6.5/10) |
| Pitchfork Media | (7.5/10) |
| Stylus Magazine | A− |
Critical reception to The Power Out was generally very positive. While the band's use of other languages and literary references may have been referred to as gimmicks, they were regarded as gimmicks with merit. The album was more focused than its predecessor, with Emma Warren of The Observer, considering the album to be "a great example of how the band have transformed themselves from a sparky but essentially limited instrumental four-piece into the major league" and the New York Times calling it "impressive".
One notable critic who felt the album was weaker than its predecessor was Piero Scaruffi, who noted that the album's songs were "more regular" than their predecessors.
Read more about this topic: The Power Out
Famous quotes containing the words critical and/or reception:
“The disaster ... is not the money, although the money will be missed. The disaster is the disrespect—this belief that the arts are dispensable, that they’re not critical to a culture’s existence.”
—Twyla Tharp (b. 1941)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)