The Popeye Show - Significance

Significance

Prior to the premiere of The Popeye Show, most television airings of theatrical Popeye cartoons bore the logos of Associated Artists Productions, the company that bought the films from Paramount Pictures for television distribution. This is due to the films having been sold in the 1950s, when most movie studios did not want to be associated with television. As a result, A.A.P. was required to replace the original Paramount logos with their own. For The Popeye Show, efforts were made to present these films as close to their original theatrical form as possible: some of the cartoons shown were copies that actually had their original Paramount titles intact, while others needed to have their original titles simulated through the process of digital video editing.

The show focused mostly on the Fleischer Popeye shorts and early Famous Studios shorts that were originally filmed in black-and-white. For all episodes, the first two shorts were from this era. Sometimes the third cartoon would be a color cartoon from Famous Studios, but on many occasions an entire episode would entirely be made of black-and-white cartoons. While selecting the color entries that would air, the only ones that were initially selected were those that were in the Turner vaults with their original titles. The only color cartoons to have their original titles recreated were those shown in the last episode of Season 3, and all episodes of Season 4.

In season 1, an original copy of Popeye, The Ace of Space (1953) with its original titles was shown for the first time on TV. This particular cartoon was originally shown in 3D, and therefore had a unique opening sequence. It also had a unique ending sequence that was not shown on syndication prints because it involved the Paramount logo being formed from the smoke of Popeye's pipe. The black and white short The Hungry Goat (1943) was kept from being shown in earlier seasons because it required extra attention to recreate the ending as close to original as possible. The original ending involved Popeye's nemesis in the short, a goat, laughing at Popeye while watching the end of the very cartoon they were in, and, like The Ace of Space, involved the Paramount logo.

The 1945 short Tops in the Big Top, which did not open with the standard Popeye theme music, but had a rendition with a circus theme, had its original soundtrack restored for the program. Similarly, a version of W'ere On Our Way to Rio (1944) was prepared with the opening soundtrack restored, but the show was cancelled before it could be included in any episodes.