Production
Francis Ford Coppola had not intended to make a film about teen angst until Jo Ellen Misakian, teacher of middle-school students from Lone Star Elementary School in Fresno, California, wrote to him on behalf of her students about adapting The Outsiders. When Coppola read the book, he was moved not only to adapt and direct it, but to follow it the next year by adapting Hinton's novel Rumble Fish. The latter film's cast also included Matt Dillon, Diane Lane, and Glenn Withrow.
The film was shot on location in Tulsa, Oklahoma. Coppola filmed The Outsiders and Rumble Fish back-to-back in 1982. He wrote the screenplay for the latter while on days off from shooting the former. Many of the same locations were used in both films, as were many of the same cast and crew members. The credits are shown at the beginning of the film in the style normally found in a published play.
Coppola's craving for realism almost led to disaster during the church-burning scene. He pressed for "more fire", and the small, controlled blaze accidentally triggered a much larger, uncontrolled, fire, which a downpour fortunately doused.
Read more about this topic: The Outsiders (film)
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
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