Sound and History
The band's distinct sound is a mixture of Doss and Hart's pop and experimental tendencies. This chemistry is evident in their albums given that some tracks are 2–3 minute songs, while others are electro-acoustic collages ranging in length from 2 seconds to 10 minutes, and differing in content from vibrant horns to near silence. Furthermore, the band released a record of experimental electro-acoustic music, The Late Music, Volume One, under the name The Black Swan Network, in 1997. Another Black Swan Network release, a 7" EP on the Happy Happy Birthday to Me label, appeared in 2000, though it did not feature Bill Doss. In October 1997, a "collaborative" LP between The Olivia Tremor Control and The Black Swan Network was released, originally as a tour-only item, and later put out as a CD by Flydaddy, which gave the record the title, The Olivia Tremor Control vs. The Black Swan Network, though the band had never wanted the record to be named as such.
The band is influenced by the odd quality inherent in dreams and asked their listeners to send in tapes describing their own, examples of which can be heard in the final track of Black Foliage and the OTC-BSN collaborative LP. While their debut album Dusk at Cubist Castle focuses more on complex vocal harmonization and upbeat melodies, Black Foliage is more noise-oriented, with more feedback samples and tape loops.
Read more about this topic: The Olivia Tremor Control
Famous quotes containing the words sound and/or history:
“But one sound always rose above the clamor of busy life and, no matter how much of a tintinnabulation, was never confused and, for a moment lifted everything into an ordered sphere: that of the bells.”
—Johan Huizinga (1872–1945)
“The History of the world is not the theatre of happiness. Periods of happiness are blank pages in it, for they are periods of harmony—periods when the antithesis is in abeyance.”
—Georg Wilhelm Friedrich Hegel (1770–1831)