Production
This color revival of The Munsters starred John Schuck (as Herman), Lee Meriwether (Lily), Howard Morton (Grandpa), Hilary Van Dyke (Marilyn) and Jason Marsden (Eddie) and broadcast 72 episodes from October 8, 1988 to May 25, 1991, giving it more first run episodes than the original series. The pilot explained the 22-year gap following the original series by showing the family as they were in 1966 when an accident took place; the family then proceeds to wake up in 1988.
The series lasted three seasons on syndicated television, and proved popular with international audiences. It was created following a failed attempt to revive the show with most of the original cast (Fred Gwynne, Al Lewis and Yvonne De Carlo) in the 1981 NBC telefilm The Munsters' Revenge. Gwynne turned down the chance to reprise his role as Herman, while Lewis expressed unhappiness at not being asked to return as Grandpa, a role he had kept close to his heart for years since the original show ceased production.
Read more about this topic: The Munsters Today
Famous quotes containing the word production:
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)