The Massachusetts Game - Rules

Rules

The form of the Massachusetts Game best known today comes from a set of rules drawn up in 1858 by the Massachusetts Association of Base Ball Players at Dedham. . Although it was recognizably a type of baseball, some features of the Massachusetts Game are very different from modern baseball:

  • The playing field had four bases, 60 feet apart. The fourth base was still called Home, but the "striker" stood mid-way between fourth and first base.
  • Fielders were allowed to put a runner out by hitting him with a thrown ball - a practice called "soaking" or "plugging".
  • There was no foul territory, and baserunners were not required to stay within the baselines.

Two "modern" features of the Massachusetts Game were not present in New York-style rules drawn up the same year by National Association of Base Ball Players .

  • "The Ball must be thrown - not pitched or tossed..." In the jargon of the times, throwing meant delivering the ball overhand. The NABBP rules state "The ball must be pitched, not jerked nor thrown", meaning delivered underhand. Major League baseball did not allow overhand pitching for another 25 years.
  • "The ball must be caught flying in all cases." Under New York rules, a catch on one bounce was still allowed.

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Famous quotes containing the word rules:

    Learn hence for ancient rules a just esteem;
    To copy Nature is to copy them.
    Alexander Pope (1688–1744)

    Unfortunately, we cannot rely solely on employers seeing that it is in their self-interest to change the workplace. Since the benefits of family-friendly policies are long-term, they may not be immediately visible or quantifiable; companies tend to look for success in the bottom line. On a deeper level, we are asking those in power to change the rules by which they themselves succeeded and with which they identify.
    Anne C. Weisberg (20th century)

    The values by which we are to survive are not rules for just and unjust conduct, but are those deeper illuminations in whose light justice and injustice, good and evil, means and ends are seen in fearful sharpness of outline.
    Jacob Bronowski (1908–1974)