The Mask (film) - Reception

Reception

The film was a box-office success, grossing $119 million domestically and over $350 million worldwide, becoming the second-highest grossing superhero movie at that time, behind Batman. Even though it had been out-grossed by several superhero movies throughout the years, it remains immensely popular, especially among children. The film also received mixed to positive reviews from critics, including Roger Ebert, of the Chicago Sun-Times, who gave the film 3 out of 4 stars, noting Jim Carrey for his "joyful performance." The Mask is one of three films featuring Carrey (the others being Ace Ventura: Pet Detective and Dumb and Dumber) released in 1994 that helped launch the actor to superstardom, though The Mask was the most successful of these three films both critically and commercially. The film is also notable for immediately establishing Diaz - previously a complete unknown - as a major star in Hollywood as well.

The film was nominated for Best Visual Effects at the 67th Academy Awards, but lost to Forrest Gump. In addition, Carrey was nominated for a Golden Globe. Conversely, he was also nominated for a Razzie Award for "Worst New Star". It currently holds a 75% "Certified Fresh" rating on Rotten Tomatoes and a consensus stating "It misses perhaps as often as it hits, but Carrey's manic bombast, Diaz's blowsy appeal, and the film's overall cartoony bombast keep The Mask afloat."

On the television program Siskel & Ebert, the critics gave the film "two thumbs up" and the movie went on their list of "Best of 1994".

At Metacritic, which assigns a normalized rating out of 100 to reviews from film critics, it has a rating score of 56, indicating "mixed or average reviews" based on 12 reviews.

American Film Institute Lists
  • AFI's 100 Years...100 Movie Quotes:
    • "Somebody stop me!" - Nominated
  • AFI's 10 Top 10 - Nominated Fantasy Film

Read more about this topic:  The Mask (film)

Famous quotes containing the word reception:

    But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.
    Walter Pater (1839–1894)

    I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.”
    Gerald R. Ford (b. 1913)

    Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.
    Rémy De Gourmont (1858–1915)