Style
Chandler, along with Dashiell Hammett, defined the hardboiled school of detective fiction, popularized in pulp magazines such as Black Mask. The hardboiled school was an alternative to the traditional murder mysteries of people like Agatha Christie and Dorothy Sayers. Unlike the mannered, complex plots typical of these authors the hardboiled stories moved "murder out of the Venetian vase and into the alley" and "gave murder back to the kind of people that commit it for reasons, not just to provide a corpse; and with the means at hand, not with hand-wrought duelling pistols, curare, and tropical fish."
One thing that distinguished Chandler's hero Philip Marlowe even from his other hardboiled peers is that Marlowe often doesn't apprehend the criminal and explain every plot point at the end of the novel. Marlowe is a witness to events and at most able to manipulate them in subtle ways to balance the scales of justice a bit. Nowhere is this more apparent than in The Little Sister. Marlowe is always arriving too late to prevent a murder or catch the criminal. Even at the very end when he has finally solved the complex riddle of the case his last act is simply to notify the police too late and let events take their course.
Read more about this topic: The Little Sister
Famous quotes containing the word style:
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“Switzerland is a small, steep country, much more up and down than sideways, and is all stuck over with large brown hotels built on the cuckoo clock style of architecture.”
—Ernest Hemingway (1899–1961)
“As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.”
—Henry David Thoreau (1817–1862)