The Last Starfighter - Music

Music

Craig Safan's score for the film calls for an unusually large orchestra, including six trumpets and six trombones, which are used simultaneously to play the main theme in twelve-part harmony.

Southern Cross released a soundtrack album at the time of the film's release (later reissued on CD in 1987).

Side One:

  1. Main Title (2:30)
  2. Outer Space Chase (2:52)
  3. Into the Starscape (3:50)
  4. The Planet of Rylos (2:04)
  5. Death Blossom: Ultimate Weapon (3:37)

Side Two:

  1. Incommunicado (Craig Safan/Mark Mueller) – Clif Magness (3:08)
  2. Never Crossed My Mind (Craig Safan/Mark Mueller) – Clif Magness (2:45)
  3. Return to Earth (3:28)
  4. The Hero's March (2:16)
  5. Centauri Dies (3:08)

In 1995, Intrada issued an expanded album, which omitted the songs credited to Safan/Mueller/Magness, and included the complete versions of several cues, including "Into the Starscape" (on the original release it cuts out at the point in the film when Louis whoops at the sight of the Gunstar taking off on the video game screen and in real life; in the film the music continues over the end credits).

  1. Main Title (2:31)
  2. Alex Dreams (1:44)
  3. Centauri Into Space (05:59)
  4. Rylos (2:01)
  5. Centauri Dies (6:51)
  6. Target Practice (2:17)
  7. Alex's First Test (2:51)
  8. Beta's Sacrifice (6:07)
  9. Death Blossom; Ultimate Weapon (4:44)
  10. Big Victory March; Alex Returns (5:44)
  11. Into the Starscape (7:21)
  12. Outro the Starfalling (8:52)

Read more about this topic:  The Last Starfighter

Famous quotes containing the word music:

    “Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory.”
    —Thomas Beecham (1879–1961)

    “As for the terms good and bad, they indicate no positive quality in things regarded in themselves, but are merely modes of thinking, or notions which we form from the comparison of things with one another. Thus one and the same thing can be at the same time good, bad, and indifferent. For instance music is good for him that is melancholy, bad for him who mourns; for him who is deaf, it is neither good nor bad.”
    —Baruch (Benedict)

    “The great challenge which faces us is to assure that, in our society of big-ness, we do not strangle the voice of creativity, that the rules of the game do not come to overshadow its purpose, that the grand orchestration of society leaves ample room for the man who marches to the music of another drummer.”
    —Hubert H. Humphrey (1911–1978)