Music
Craig Safan's score for the film calls for an unusually large orchestra, including six trumpets and six trombones, which are used simultaneously to play the main theme in twelve-part harmony.
Southern Cross released a soundtrack album at the time of the film's release (later reissued on CD in 1987).
Side One:
- Main Title (2:30)
- Outer Space Chase (2:52)
- Into the Starscape (3:50)
- The Planet of Rylos (2:04)
- Death Blossom: Ultimate Weapon (3:37)
Side Two:
- Incommunicado (Craig Safan/Mark Mueller) – Clif Magness (3:08)
- Never Crossed My Mind (Craig Safan/Mark Mueller) – Clif Magness (2:45)
- Return to Earth (3:28)
- The Hero's March (2:16)
- Centauri Dies (3:08)
In 1995, Intrada issued an expanded album, which omitted the songs credited to Safan/Mueller/Magness, and included the complete versions of several cues, including "Into the Starscape" (on the original release it cuts out at the point in the film when Louis whoops at the sight of the Gunstar taking off on the video game screen and in real life; in the film the music continues over the end credits).
- Main Title (2:31)
- Alex Dreams (1:44)
- Centauri Into Space (05:59)
- Rylos (2:01)
- Centauri Dies (6:51)
- Target Practice (2:17)
- Alex's First Test (2:51)
- Beta's Sacrifice (6:07)
- Death Blossom; Ultimate Weapon (4:44)
- Big Victory March; Alex Returns (5:44)
- Into the Starscape (7:21)
- Outro the Starfalling (8:52)
Read more about this topic: The Last Starfighter
Famous quotes containing the word music:
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
—W.H. (Wystan Hugh)
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergottes] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
—Marcel Proust (18711922)
“The music of an unhappy people, of the children of disappointment; they tell of death and suffering and unvoiced longing toward a truer world, of misty wanderings and hidden ways.”
—W.E.B. (William Edward Burghardt)