Episodes
# | Title | Directed by | Written by | Original air date | Production code |
---|---|---|---|---|---|
1 | "Three Boys and a Gun" | Ed Bianchi | Teleplay: Jason Yoshimura Story: James Yoshimura & Tom Fontana |
June 8, 2004 (2004-06-08) | 103 |
Tempers flare as the jurors determine whether a teenager committed a premeditated murder against a rival on the basketball court, or was simply careless as he celebrated New Year's Eve with friends by firing his father's gun from the rooftop of his apartment. | |||||
2 | "The Honeymoon Suite" | Barry Levinson | Teleplay: Bradford Winters Story: Tom Fontana & James Yoshimura |
June 8, 2004 (2004-06-08) | 102 |
The jury is charged with deciding whether a teenage girl was murdered by her boyfriend, or was a willing participant in an incomplete double suicide pact. | |||||
3 | "Mail Order Mystery" | Jean de Segonzac | Teleplay: Adam Rapp Story: Tom Fontana & James Yoshimura |
June 15, 2004 (2004-06-15) | 104 |
Greenfield presents a credible case for reasonable doubt in her defense of a man accused of the murder of his mail order bride. | |||||
4 | "Bangers" | Ted Bogosian | Tom Fontana & James Yoshimura | June 22, 2004 (2004-06-22) | 105 |
Hawthorne urges both sides to come to a swift plea agreement after he learns that gangbangers have intimidated the jurors deciding the fate of two of their members on trial for murdering a woman who opposed their drug dealing in her apartment building; Walker's dark mood during the case is explained when he reveals a painful incident from his past to Dixon. | |||||
5 | "Last Rites" | Alex Zakrzewski | Teleplay: Bradford Winters & Jason Yoshimura Story: Tom Fontana & James Yoshimura |
June 29, 2004 (2004-06-29) | 108 |
The jury weighs whether a inmate's grudge prompted him to kill the prison chaplain during a riot, or if his arrest was set up by a fellow inmate and correctional officers. | |||||
6 | "Memories" | Jake Paltrow | Teleplay: Julie Martin Story: James Yoshimura & Tom Fontana |
July 9, 2004 (2004-07-09) | 106 |
The jury debates whether they can rely upon the memory and the testimony of a little girl in determining if she was molested by her neighbor. | |||||
7 | "The Boxer" | Jean de Segonzac | Teleplay: James Yoshimura Story: Tom Fontana & James Yoshimura |
July 16, 2004 (2004-07-16) | 110 |
The jury must determine if the evidence of a contentious relationship and a hat left at the scene is enough to convict a boxer of the death of his manager. | |||||
8 | "Pilot" | Barry Levinson | Teleplay: James Yoshimura & Tom Fontana Story: Tom Fontana & James Yoshimura & Barry Levinson |
July 23, 2004 (2004-07-23) | 101 |
The jury must decide if a highly decorated police officer is guilty of vehicular manslaughter in the hit-and-run death of a homeless man even though there are no witnesses that can place him at the scene, and no damage to his vehicle. | |||||
9 | "Lamentation on the Reservation" | Clark Johnson | Teleplay: Kia Corthron Story: James Yoshimura & Tom Fontana |
July 30, 2004 (2004-07-30) | 109 |
The jury examines the possible motives of romantic jealousy, greed, politics, business conflicts, and revenge in determining whether a woman is guilty of soliciting the murder of her business partner and lover. | |||||
10 | "To Jung to Die" | David Von Ancken | Teleplay: Willie Reale Story: James Yoshimura & Tom Fontana |
August 8, 2004 (2004-08-08) | 107 |
The jury has a great deal of difficulty in determining whether a psychiatrist attempted to murder a woman who claims they had a sexual relationship while she was his patient. |
Read more about this topic: The Jury (TV series)
Famous quotes containing the word episodes:
“What is a novel if not a conviction of our fellow-mens existence strong enough to take upon itself a form of imagined life clearer than reality and whose accumulated verisimilitude of selected episodes puts to shame the pride of documentary history?”
—Joseph Conrad (18571924)
“Twenty or thirty years ago, in the army, we had a lot of obscure adventures, and years later we tell them at parties, and suddenly we realize that those two very difficult years of our lives have become lumped together into a few episodes that have lodged in our memory in a standardized form, and are always told in a standardized way, in the same words. But in fact that lump of memories has nothing whatsoever to do with our experience of those two years in the army and what it has made of us.”
—Václav Havel (b. 1936)