Additional Musicians
- Tom Howard: Piano, Wurlitzer, Orchestrations
- Phil Madeira: B-3, Lap Steel, Dobro, Accordion
- Eric Darken: percussion
- Sam Levine: pennywhistle, Flute, Recorder
- Jerry McPherson: Additional guitars
- Kenny Greenberg: Additional guitars
- Tim Lauer: Mellotron, Accordion, Harmonium
- Mitch McVicker: guitars
- Linda Elias: percussion
- Children's Choir: Emily Webb, Ashley Melling, Brittany Hargest, Megan Dockery, Chris White, Matthew White, Brandon Hargest, and Sterling Gibson.
- Adult Choir: Roz Thompson, Steve Flanigan, Nicole Coleman-Mullen, George Pendergrass, Percy Travis III, Melinda Doolittle, Scat Springs, and Ann Bailey.
- "That Where I Am, There You..." Choir: Mark Lutz, Elizabeth Lutz, Connie Hawk, David McCracken, Nicole Hemphill, Hardy Hemphill, Michelle Younkman, Stuart Young, Mary Quick, Michael Oliver, Kurt Lightner, Laura Davis, Lea Fulton, Eric May, Kevin Tucker, Dawn Gates, Laura Neutzling, Marie Lehman, Chuck Hargett, Janice Chaffee, Jim Chaffee, Chuck Nelson, Mari O'Neill, Jamie Kiner, Ann Bailey, Roz Thompson, Jemina Abegg, Alexia M. Abegg, Pierette Abegg, Augdrey Eva Smith, Kathryn Garcia Smith, Aaron Smith, Sydney Maria Smith, Gloria Green, Michelle Abegg, Rebecca Brown, Chris Smith, Janice Smith, Archie Griffin, Rose Corazza, Kristin Pierson, and Keith Bordeaux.
- background vocals by The Ragamuffins, Michael W. Smith, Ashley Cleveland, Jim Chaffee, Linda Elias, Ashley Cleveland, Amy Grant
Read more about this topic: The Jesus Record
Famous quotes containing the words additional and/or musicians:
“The mere existence of an additional child or children in the family could signify Less. Less time alone with parents. Less attention for hurts and disappointments. Less approval for accomplishments. . . . No wonder children struggle so fiercely to be first or best. No wonder they mobilize all their energy to have more or most. Or better still, all.”
—Adele Faber (20th century)
“How are we to know that a Dracula is a key-pounding pianist who lifts his hands up to his face, or that a bass fiddle is the doghouse, or that shmaltz musicians are four-button suit guys and long underwear boys?”
—In New York City, U.S. public relief program (1935-1943)