Reception
Though notable for the quality of the authors who wrote for the series (episodes were penned by well-known authors Graham Masterton, Gemma Files, Poppy Z. Brite, and Harlan Ellison among others), The Hunger did not receive great critical acclaim. Many of the criticisms directed against the series had to do with the limitations of the broadcast medium; unlike later series such as Showtime's Masters of Horror, the largely Canadian-based production was restricted in terms of the imagery and language permissible by broadcast standards, and by the budget and production values typically available to small-screen productions. Often broadcast late at night in keeping with requirements for adult material, The Hunger never accumulated a significant audience. However, in later years the show obtained a small cult following.
In 2011, episodes began airing in the US on the horror-centric Chiller (TV network), cable channel.
Read more about this topic: The Hunger (TV Series)
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“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)