The House of The Rising Sun - The Animals Version

The Animals Version

"The House of the Rising Sun"
Single by The Animals
from the album The Animals
B-side "Talkin' 'bout You" (R. Charles)
Released June 19, 1964 (UK)
August 1964 (U.S.)
Format 7" single
Recorded 18 May 1964
Genre Blues rock, folk rock
Length 4:29 (full - UK)
2:58 (edited - U.S. original)
Label Columbia Graphophone DB7301 (UK)
MGM 13264 (U.S.)
Writer(s) Trad., arranged by Alan Price
Producer Mickie Most
The Animals singles chronology
"Baby Let Me Take You Home"
(1964)
"House of the Rising Sun"
(1964)
"I'm Crying"
(1964)

An interview with Eric Burdon revealed that he first heard the song in a club in Newcastle, England, where it was sung by the Northumbrian folk singer Johnny Handle. The Animals were on tour with Chuck Berry and chose it because they wanted something distinctive to sing. This interview denies assertions that the inspiration for their arrangement came from Bob Dylan. The band enjoyed a huge hit with the song, much to Dylan's chagrin when his version was referred to as a cover. The irony of this was not lost on Dave Van Ronk, who said the whole issue was a "tempest in a teapot", and that Dylan stopped playing the song after The Animals' hit because fans accused Dylan of plagiarism. Dylan has said he first heard The Animals' version on his car radio and "jumped out of his car seat" because he liked it so much.

Dave Marsh described The Animals' take on "The House of the Rising Sun" as "the first folk-rock hit", sounding "as if they'd connected the ancient tune to a live wire", while writer Ralph McLean of the BBC agreed that "it was arguably the first folk rock tune", calling it "a revolutionary single" after which "the face of modern music was changed forever." Van Ronk claims that this version was based on his arrangement of the song.

The Animals' version transposes the narrative of the song from the point of view of a woman led into a life of degradation, to that of a male, whose father was now a gambler and drunkard, as opposed to the sweetheart in earlier versions.

The Animals had begun featuring their arrangement of "House of the Rising Sun" during a joint concert tour with Chuck Berry, using it as their closing number to differentiate themselves from acts which always closed with straight rockers. It got a tremendous reaction from the audience, convincing initially reluctant producer Mickie Most that it had hit potential, and between tour stops the group went to a small recording studio on Kingsway in London to capture it.

Recorded in just one take on 18 May 1964, it started with a famous electric guitar A minor chord arpeggio by Hilton Valentine. The performance took off with Eric Burdon's lead vocal, which has been variously described as "howling", "soulful", and "deep and gravelly as the north-east English coal town of Newcastle that spawned him." Finally, Alan Price's pulsating organ part (played on a Vox Continental) completed the sound. Burdon later said, "We were looking for a song that would grab people's attention," and they succeeded: "House of the Rising Sun" was a true trans-Atlantic hit, topping both the UK pop singles chart (in July 1964) and the U.S. pop singles chart (two months later in September 1964, when it became the first British Invasion number one unconnected with The Beatles); it was the group's breakthrough hit in both countries and became their signature song. The song was less successful in Ireland, only peaking at #10 and dropping off the charts one week later. Ireland was a country that had the showband scene, and did not consider rhythm and blues a very popular type of music. The song was also a hit in a number of other countries.

The Animals' rendition of the song is recognized as one of the classics of the British Invasion. Writer Lester Bangs labeled it "a brilliant rearrangement" and "a new standard rendition of an old standard composition." It ranked number 122 on Rolling Stone magazine's 500 Greatest Songs of All Time list. It is also one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. The RIAA placed it as number 240 on their Songs of the Century list. In 1999 it received a Grammy Hall of Fame Award. And besides critical acclaim, it has long since become a staple of oldies and classic rock radio formats. A 2005 Five poll ranked it as Britons' fourth favourite number one song of all time.

As recorded, "House of the Rising Sun" ran four and a half minutes, regarded as far too long for a pop single at the time. Producer Most, who otherwise minimized his role on this occasion – "Everything was in the right place ... It only took 15 minutes to make so I can't take much credit for the production" – nonetheless was now a believer and declared it as a single at its full length, saying "We're in a microgroove world now, we will release it."

In the United States, though, the original single (MGM 13264) was a 2:58 version. The MGM Golden Circle reissue (KGC 179) featured the unedited 4:29 version, although the label shows the edited playing time of 2:58. The edited version was included on the group's 1964 U.S. debut album The Animals, while the full version was later included on their best-selling 1966 U.S. greatest hits album The Best of The Animals. However, the very first American release of the full-length version was on a 1965 album of various groups entitled Mickie Most Presents British Go-Go (MGM SE-4306), the cover of which, under the listing of "House Of The Rising Sun", boasted "Original Uncut Version". Americans also had a chance to hear the complete version in the movie Go Go Mania in the spring of 1965.

"House of the Rising Sun" was not included on any of the group's British albums. Rather, it was reissued as a single twice in subsequent decades, charting both times: to number 25 in 1972, and to number 11 in 1982.

The arranging credit went only to Alan Price. According to Burdon, this was simply because there was insufficient room to name all five band members on the record label, and Alan Price's first name was first alphabetically. However, this meant that only Price received songwriter's royalties for the hit, a fact that has caused bitterness ever since, especially with Valentine.

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