Critical Reception
In 1978, Romeo Muller won a Peabody Award for his teleplay for The Hobbit. The film was also nominated for the Hugo Award for Best Dramatic Presentation, but lost to Star Wars. A few days before its first airing, John J. O'Connor wrote in The New York Times that "Rankin and Bass Productions have now carefully translated 'The Hobbit' into (a) film. The result is curiously eclectic, but filled with nicely effective moments. The drawings frequently suggest strong resemblances to non-Tolkien characters… The goblins could have stepped out of a Maurice Sendak book. But the Dragon and Gollum the riddle aficionado bring some clever original touches… Whatever its flaws, this television version of "The Hobbit" warrants attention."
Critics primarily focused on adaptation issues, including the unfamiliar style of artwork used by the Japanese-American co-production team, whereas some Tolkien fans questioned the appropriateness of repackaging the material as a family film for a very young audience. Douglas A. Anderson, a Tolkien scholar, called the adaptation "execrable" in his own introduction to the Annotated Hobbit, although he did not elaborate; and a few critics said it was confusing for those not already familiar with the plot. On the other hand, critic Tom Keogh praised the adaptation as "excellent", saying the work received "big points" for being "faithful to Tolkien's story" and that the "vocal cast can't be improved upon."
Read more about this topic: The Hobbit (1977 film)
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