Songs
The title song "The Healing Game" is about the tradition of Belfast street singing. Van Morrison in Q magazine said, "People find it incredible when I tell them that people used to sing and play music in the street. I think there's a whole oral tradition that's disappeared." The song, "Rough God Goes Riding" is taken from a W. B. Yeats poem "The Second Coming" with its figure from the Apocalypse "rough beast". Leo Green's saxophone follows Morrison's voice like a twin brother. In "Waiting Game" he is "the brother of the snake" which Brian Hinton says refers to both his lost friend Jim Morrison (known for writing about "The Lizard King"), and the Garden of Eden. "Piper At The Gates Of Dawn" follows the children's book, The Wind in the Willows closely and Paddy Moloney plays uillean pipes with Phil Coulter on piano. On "Burning Ground" the singer relives a common scene from his childhood when jute was shipped to Belfast from India.
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Famous quotes containing the word songs:
“The militancy of men, through all the centuries, has drenched the world with blood, and for these deeds of horror and destruction men have been rewarded with monuments, with great songs and epics. The militancy of women has harmed no human life save the lives of those who fought the battle of righteousness. Time alone will reveal what reward will be allotted to women.”
—Emmeline Pankhurst (1858–1928)
“Heaven has a Sea of Glass on which angels go sliding every afternoon. There are many golden streets, but the principal thoroughfares are Amen Street and Hallelujah Avenue, which intersect in front of the Throne. These streets play tunes when walked on, and all shoes have songs in them.”
—For the State of Florida, U.S. public relief program (1935-1943)
“When we were at school we were taught to sing the songs of the Europeans. How many of us were taught the songs of the Wanyamwezi or of the Wahehe? Many of us have learnt to dance the rumba, or the cha cha, to rock and roll and to twist and even to dance the waltz and foxtrot. But how many of us can dance, or have even heard of the gombe sugu, the mangala, nyang’umumi, kiduo, or lele mama?”
—Julius K. Nyerere (b. 1922)